Fy hoff lliw ydy porffor. Well, it is for today at least.

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dscf9748

Untitled (Porffor)

2016

This new painting is all about that delicious gap; the white paper. Tension. Mmm.

Untitled. Ideally.

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dscf9794

Untitled (…or Buddleia?)

2016

(I have an issue with naming my work that I have not yet figured out….. I do not want labels and superfluous words getting in the way of the image. I need to come up with a plan.)

 

 

Embroidery – Old Work

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Sewn Drawing (1280x1174)

Untitled (Long-lost Embroidery of Aberystwyth)

2010

An old piece of work….  I still have quite vivid memories of sewing this in the final year of my degree, hunched up in my little corner of the school of art studio (the room on the left at the top of the stairs).

It was always very quiet up there (I wonder where all my fellow students did their best work?), and it smelt like a wonderful old art school should smell. Safe and quite comforting.

 

 

Work in Progress – My Easel

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easel-wip-wp

A fairly bad photograph of how my easel looks at this very moment in time….

I went back to some old (lacklustre) paintings that needed a little cheering up, things that had never quite felt finished… Some have been greatly improved, I fancy! Some – there is, quite simply, no hope. Into the bin with you.

Always satisfying to be able to rescue something, to bring a painting back to life. Proper pictures of resurrected paintings later this week (she says).

Don’t hold me to that.

 

 

Red Ink Repetition

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Red Lines

A forgotten page from a notebook (2016)

I think something must have been on my mind that day.

Anxious.

A Bride To Be – Work in Progress

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WIP Bridal Portrait

Current work in progress… I’ve just stopped. Cautious of over-working, will return to it tomorrow. Very happy so far!

I am surrounded by wedding magazines at the moment (guess what’s happening next summer?!) and they are a very peculiar thing. Weddings are peculiar things.

This evening’s painting has been brought to you by whiskey, Marlene Dumas lust, anonymous brides and Avenged Sevenfold.

 

 

And now for something completely different…

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DSCF8699v2Page 17 Girl

2016, acrylic

Inspired by the intense, beautiful, bittersweet and confident Marlene Dumas retrospective at the Tate Modern earlier this year – “The Image as Burden”.

“There is no beauty, if it doesn’t show the terribleness of life.”

M.D

Marlene D

The Painter

Marlene Dumas, 1994