Untitled Lavender

DSCF9751

Untitled Lavender (2016)

Acrylic

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Old Sketchbook Pages

4_whatyouwanted (677x1024)
This Is What You Wanted, 2012

 

housewife rebellion - sketch

Housewife Rebellion, 2013

Red Ink Repetition

Red Lines

A forgotten page from a notebook (2016)

I think something must have been on my mind that day.

Anxious.

A Bride To Be – Work in Progress

WIP Bridal Portrait

Current work in progress… I’ve just stopped. Cautious of over-working, will return to it tomorrow. Very happy so far!

I am surrounded by wedding magazines at the moment (guess what’s happening next summer?!) and they are a very peculiar thing. Weddings are peculiar things.

This evening’s painting has been brought to you by whiskey, Marlene Dumas lust, anonymous brides and Avenged Sevenfold.

 

 

And now for something completely different…

DSCF8699v2Page 17 Girl

2016, acrylic

Inspired by the intense, beautiful, bittersweet and confident Marlene Dumas retrospective at the Tate Modern earlier this year – “The Image as Burden”.

“There is no beauty, if it doesn’t show the terribleness of life.”

M.D

Marlene D

The Painter

Marlene Dumas, 1994

One For Sorrow – Magpie Painting

Magpies

One For Sorrow, Two For Joy

Ink and watercolour, 2016

A fathers day painting for my daddy. I do like a good magpie (or two) – such intelligent birds, they always look like they’re plotting, pondering what to do next…

The intention was to paint a beautiful, detailed perfect magpie card – this A3 page started off as a mess of practice sketches! As is so often the way, when I came to working on the “real” picture, I just couldn’t get him to look right… all sorts of peculiar-looking pigeons and penguins were appearing on the paper. So back I went and added some gorgeous colour and splodgy ink to this page – really chuffed with this picture, and I think my father likes it too. It is now up in my parents kitchen; high praise indeed.

 

 

We Made A Tent Rosette

rosette_v2

We Made A Tent, 2011

Hand-made rosette

I was approached by the Fashion and Textile Museum in London following my degree show in 2011, and went on to sell work through their shop. Some of this work was a series of rosettes – commemorative, awards for the little things; signifying important parts of time that have passed. Time that has been lived through. Badge of honour. A cathartic underlining of events. And move on.

I wonder if this is worth exploring again…?

We made a tent. Everything is ok. 

Uncomfortable Orange Paintings

Cadmium VI and Cadmium VII, 2015

Acrylic, A5

I tried something different, took a step outside of my comfort zone. It must have been a sunny day. These paintings are the wrong tone, the wrong colour. They do not suit me. Back I went to blues and reds…


A Dark Painting

Cadmium XI

Cadmium XI, 2016

Acrylic, A3

Mist. Oppressive haze. Something a little bit sinister.

With an arbitrary title. I need a new system.