Catharsis

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Untitled (Catharsis), 2016

 

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Fy hoff lliw ydy porffor. Well, it is for today at least.

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Untitled (Porffor)

2016

This new painting is all about that delicious gap; the white paper. Tension. Mmm.

Untitled. Ideally.

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Untitled (…or Buddleia?)

2016

(I have an issue with naming my work that I have not yet figured out….. I do not want labels and superfluous words getting in the way of the image. I need to come up with a plan.)

 

 

Grey Lavender Dusk

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Grey Lavender Dusk (2016)

Acrylic paint

© Emma Tann

 

Giving my paintings titles does not come easily. There is no “concept”, no meaning. They are simply beautiful colours, shapes – does a label get in the way of the painting? Will a name remind a viewer of something else, will preconceptions and associations get in the way of seeing the painting as it really is, for it’s own sake?

Rothko’s paintings always seem to have unobtrusive, subtle names. There are an awful lot of untitled and numbered works, and those that simply reference the colours on the canvas.

No over-thought, contrived names here. I would rather spend my time painting. The image matters, not the name.

Thoughts?

 

A Bride To Be – Work in Progress

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WIP Bridal Portrait

Current work in progress… I’ve just stopped. Cautious of over-working, will return to it tomorrow. Very happy so far!

I am surrounded by wedding magazines at the moment (guess what’s happening next summer?!) and they are a very peculiar thing. Weddings are peculiar things.

This evening’s painting has been brought to you by whiskey, Marlene Dumas lust, anonymous brides and Avenged Sevenfold.

 

 

And now for something completely different…

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2016, acrylic

Inspired by the intense, beautiful, bittersweet and confident Marlene Dumas retrospective at the Tate Modern earlier this year – “The Image as Burden”.

“There is no beauty, if it doesn’t show the terribleness of life.”

M.D

Marlene D

The Painter

Marlene Dumas, 1994

Uncomfortable Orange Paintings

Cadmium VI and Cadmium VII, 2015

Acrylic, A5

I tried something different, took a step outside of my comfort zone. It must have been a sunny day. These paintings are the wrong tone, the wrong colour. They do not suit me. Back I went to blues and reds…