Fy hoff lliw ydy porffor. Well, it is for today at least.

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Untitled (Porffor)

2016

This new painting is all about that delicious gap; the white paper. Tension. Mmm.

Untitled. Ideally.

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Untitled (…or Buddleia?)

2016

(I have an issue with naming my work that I have not yet figured out….. I do not want labels and superfluous words getting in the way of the image. I need to come up with a plan.)

 

 

Work in Progress – My Easel

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A fairly bad photograph of how my easel looks at this very moment in time….

I went back to some old (lacklustre) paintings that needed a little cheering up, things that had never quite felt finished… Some have been greatly improved, I fancy! Some – there is, quite simply, no hope. Into the bin with you.

Always satisfying to be able to rescue something, to bring a painting back to life. Proper pictures of resurrected paintings later this week (she says).

Don’t hold me to that.

 

 

Grey Lavender Dusk

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Grey Lavender Dusk (2016)

Acrylic paint

© Emma Tann

 

Giving my paintings titles does not come easily. There is no “concept”, no meaning. They are simply beautiful colours, shapes – does a label get in the way of the painting? Will a name remind a viewer of something else, will preconceptions and associations get in the way of seeing the painting as it really is, for it’s own sake?

Rothko’s paintings always seem to have unobtrusive, subtle names. There are an awful lot of untitled and numbered works, and those that simply reference the colours on the canvas.

No over-thought, contrived names here. I would rather spend my time painting. The image matters, not the name.

Thoughts?

 

Uncomfortable Orange Paintings

Cadmium VI and Cadmium VII, 2015

Acrylic, A5

I tried something different, took a step outside of my comfort zone. It must have been a sunny day. These paintings are the wrong tone, the wrong colour. They do not suit me. Back I went to blues and reds…


A Dark Painting

Cadmium XI

Cadmium XI, 2016

Acrylic, A3

Mist. Oppressive haze. Something a little bit sinister.

With an arbitrary title. I need a new system.

 

Cadmium II – Recent Work

Cadmium II - E Tann

Cadmium II (2016)

Acrylic

Very much an experimental piece. Horizontal brush strokes, cross-based composition (I’ve been playing around this for a while), and of course beautiful white blank paper and the usual muted palette. The painting exists on the surface of the paper, the paper is part of the work, not simply a material for the paint to rest on, an after thought; the painting isn’t the object. There is a difference. I’m not certain that makes sense – must work on my articulation. Maybe another day.

 

Phthalo II – Recent Work

Phthalo II - E Tann

Phthalo II (2016)

Acrylic

… a tiny smidge of green found it’s way into this one, which is most unusual. Slightly murky, smokey little painting.